Elaborately styled papel picados hang along the Hibbleton Art Gallery’s walls. These and other wall ornaments effectively frame the artworks of the Fullerton gallery’s current exhibit, “La Muerte y El Recuerdo en Latinoamerica” (Death and Resurrection in Latin America).
Adorning the gallery are pictures and paintings that showed different views of how life and death are celebrated in Latin American countries. There are also shrines surrounded by decorative lights. On the shrines are skulls and other miniature statues and trinkets. Mediums that range from photography to painting to mixed media art are used to depict how each artist represents the exhibit’s theme.
Serving as a guest curator for the exhibit is 40-year-old Cal State Fullerton alumni, Albert Garcia. Garcia was put in charge of selecting the artists, artworks and the parameters of the exhibit after approaching Hibbleton Art Gallery owner and CSUF English professor, Jesse La Tour. He also contributed some of his own work.
“The pictures I have on display were part of my research and travels and inspired the theme. I chose the ones I felt would compliment the theme and framed them for the show,” said Garcia, of the photography he presented, which was taken from graduate research done in Guatemala.
Garcia did his undergraduate and graduate studies in anthropology and graduated in 2006. For his Master’s thesis, Garcia compiled his studies from three intermittent trips to Guatemala. The thesis, “Religious Syncretism: An Anthropological Study of Maya Myth and Ritual,” revolved around the study of the indiginization of 16th century Catholicism into localized forms of religious observance and ritual, with an emphasis on the native point of view rather than the European point of view. Garcia currently works in an auxiliary office in McCarthy Hall that is part of the California Office of Historic Preservation.
“La Muerte y El Recuerdo en Latinoamerica” was the featured exhibit for the Hibbleton’s grand re-opening. The Hibbleton’s newer and significantly larger gallery space is located on 223 W. Santa Fe Ave. in Downtown Fullerton, a few blocks away from its previous location. The new gallery is fashioned like a warehouse with a visible wooden-structured ceiling, and contains many walls that help cut the exhibit into sections. The Hibbleton lies in the middle of PAS Gallery and Violet Hour Studio.
The exhibit runs through Nov. 2, but there will be a closing reception Oct. 29 that will feature live music and will serve as both a Halloween and Day of the Dead themed party.
Daily Titan Question and Answer with Albert Garcia:
Daily Titan: Out of the work you contributed to the exhibit, what is your favorite and why?
Albert Garcia: My friend and research partner, Tod Imperato, took a clandestine picture of several skulls on display at the Museo de Tiwanaku, Bolivia. I transformed it into a four-color screen-print, which changes it from a rather eerie scene of death to a somewhat picturesque and colorful look at what awaits us.
DT: What do you want viewers to get out of your work?
AG: The idea behind the theme, “Death and Remembrance in Latin America,” is to highlight the differences and similarities in how different cultures conceptualize and experience death and loss. Latin America has a unique history of cultural upheaval and tragedy – up to 90 percent of the population of the New World was gone within the first century of contact. And the syncretism of pre-Columbian traditions and 16th century Roman Catholicism has produced an amazing array of rituals and beliefs regarding death and the afterlife.
DT: What are your feelings toward this particular exhibit? Why do you think it’s important?
AG: I was very pleased with the artists that contributed. I gave them the idea and they ran with it, each conducting their own research and creating a wide range of artwork. I also mixed in photos from our fieldwork and associated travels so that aside from being an art show the gallery has an educational, almost museum-like feel to it. That was a very important idea behind it since I have volunteered and done internships at various museums, and appreciate the need for exhibits that enlighten and intrigue.
Originally published in the Daily Titan on October 28, 2010.